Tag Archives: Fiebing’s Leather Dye

Peterson Emerald 53

I hope everyone had a Happy and safe Christmas, enjoyed family and friends and received some memorable gifts. My memorable gift would come as a lot of estate pipes that my wife snagged as a Christmas gift and after a little digging I saw what she payed and I was even more surprised.

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   Newly listed, new seller (zero feedback) and my wife said she knew at least one in the lot was a Peterson, even if she was wrong it was still a good deal. I had to go back through completed listings to find the original auction and I must say she has a good eye, the photos were poor and the description above offered null. So I guess there are deals to be had on the old bay.

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I was a pretty happy pappy on Christmas morning. Three Peterson’s, a Jobey, a small leather covered Big Ben and a bent little dinky pipe named Dinky. I started with the Peterson Emerald 53, a neat little pipe, tho the emerald band had lost its luster.

The Restore

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Overall the little Pete was in good shape, some rim build up, light chatter and oxidation, the emerald band was now a cream color and a chip at the rim, (highlighted in the above photos).

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I started off with the chamber and my PipNet reamer, starting with the smallest attachment and finishing with the second. The chamber was free of any char/defects.

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Next the rim build up, I applied Method Wood For Good polish to the rim with a Q-Tip and left it aside to penetrate the debris.Once the build up softens its easily removed with Q-Tips.

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Now with the rim clean I moved onto the internal cleaning. Using EverClear, shank/mortise brushes, Q-Tips and stiff/soft pipe cleaners I scrubbed the internals of the stummel and stem until my final pipe cleaner came out as it went in. I wiped down the exterior of the stem with an EverClear dampened makeup pad.

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Now to address the chipped rim. I stated by cleaning the area to be repaired with a Q-Tip dipped in EverClear and removing any loose bits of briar. I then applied a thin layer of Gorilla Glue to the chipped area and then packed with briar dust, I would repeat this process a few times, building layer upon layer of glue and briar dust until I had built up the area just past the existing rim. I now had room to sand the repair without changing the shape of the pipe. With the patch not completely set I lightly sanded the area with an emery board until it was flush with the original rim, using a pick and micro-mesh pads I carefully began to rework the patch to match the original rim and rustication.

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Once the shape and rustication I wanted was achieved I applied Fiebing’s black to the patch and lightly flamed to set the dye, removing the excess with an alcohol dampened Q-Tip. I then lightly polished the area with a worn micro-mesh pad, then going back in with red Fiebing’s dye, lightly flaming once again to set the dye, removing the excess with an alcohol dampened Q-Tip and lightly polishing the area one last time with worn micro-mesh.

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With the stummel complete I moved to the stems oxidation, I applied a generous amount of non-bleach Soft Scrub to the stem and left it to penetrate the oxidation. Once the Soft Scrub turns from white to a brownish color its time to scrub vigorously with a rag adding more Soft Scrub as needed until all oxidation has been removed (holding the stem under natural light will help to see if all oxidation has been removed).

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With the oxidation removed the stem was in fine shape aside from some light chatter, I taped off the bulk of the stem to keep my sanding in one area. Using 1000 grit sand paper wet I began working the area until no visible chatter was left. I then ran the stem though the various grits of micro-mesh 1500-2400 wet and 3200-12000 dry. I removed the tape before polishing the whole stem with 8000 and 12000 mesh pads. (When tapping off a portion of the stem there will be a visible difference between the area of work and the untouched portion, it requires buffing with blue compound to remove the fine sanding marks and will match up once again).

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Now the rustication of the Peterson Emerald is far deeper then the Donegal line, so standard buffing would be disastrous, I went with Renaissance Wax and a shoe polish brush instead. I will say Renaissance Wax is not something I’ll break out that often, its not that the finished pipe isn’t beautiful, its the smell,” I can’t stand the smell ” but the aroma fades with time and leaves behind a beautiful pipe.

Complete

 

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Buffed the stummel with Renaissance Wax and a shoe polish brush, buffing the stem with blue compound.

Thanks For stopping by.

Tim.

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Lorenzo – Not A Typical Restoration

Lorenzo Firenze Monterosa

Lorenzo pipes I’ve always been a fan of there shapes and thick walls but not so much with the use of filler a little overboard in the putty department. In the past pipes with an overwhelming amount of filler or to beat up to save the shape I’ve opted to rusticate instead of sanding and filling. I had a few in my collection but recently gave one away to my father, so when I received this thick walled Lorenzon I knew it was a prime candidate to be carved and rusticated. Its been a few years since I’ve rusticated a pipe and I couldn’t wait to get into it..

The Restoration.

 

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The pipe was in poor condition when received , it appeared the previous owner attempted to band the cracked shank or removed an existing band. The shank was cracked in multiple areas straight though to the mortise. The shank was sanded leaving an uneven fit between shank and stem. The stem had tooth impressions, oxidation and the button was chewed. The chamber was thick with crumbling cake and rim tar and char. The stummel had quite a few large fills.

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I started with the chamber reaming back the cake to a suitable thickness. The odd shaped chamber led me to use both the Pipnet and Castleford reamers. Starting with the smallest attachments and working up to the largest the chamber would accept.

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With the chamber reamed I now concentrated on the caked rim. I applied a generous amount of Method Wood For Good Polish with a Q-Tip to the rim and left it upside down on a makeup pad to allow the polish to penetrate the build-up, once the build-up is softened it is easily removed with a makeup pad and Q-Tips.

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I now worked the stem/shank portion , sanding the stem/shank flush , the nomenclature due to my sanding and the previous owners sanding was almost nonexistent.

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I now banded the cracked shank with a wide band, I worked the band part way on then heated the band with my Wagner’s heat gun and pressed the band into place using the banding tool..

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I cleaned the internals using EverClear, stiff/soft pipe cleaners and shank brushes, cleaning until the final pipe cleaner came out as it went in.

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I decided to rusticate the stummel instead of filling multiple large fills. In the past I have craved stummels on less desirable pipes or pipes that are too far damaged . I drew out the pattern to be carved on the stummel and using a rotary burr set I carved the stummel, the thick walls of the Lorenzo pipe allowed me to go deeper into the briar.

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Before staining the stummel I sanded the smooth areas with 400,800 and 1000 grit sandpaper. Using Fiebing’s Leather dye I stained the stummel. I mixed black Fiebing’s with a little EverClear and applied it to the rusticated area of the stummel using a Q-Tip. Finally I mixed red Fiebing’s with a little EverClear and applied it to the smooth area of the stummel, I now left it for a few hours to dry, I removed the excess stain with an EverClear dampened rag.

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With the stummel ready to hit the wheel I moved onto the stem. I applied a generous amount of non-bleach Soft Scrub to the stem and left it aside to penetrate the oxidation. Once the Soft Scrub turns from white to a brownish color is time to scrub vigorously with a rag adding more Soft Scrub as needed. Holding the stem under natural light will help to see if all oxidation was removed.

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After cleaning the stem I worked on the chewed button and tooth impressions, I removed some of the shallow impressions with a flat sided needle file , the deeper impressions would need filling. I rough sanded the area of repair with 400 grit sandpaper wiping down with an EverClear dampened rag. I filled the impressions with thick black CA glue and allowed to dry. I mixed thick black CA glue and charcoal powder together to form a paste to rebuild the button, applying the paste with a toothpick to the button and hitting it with accelerator to set ,I left it over night to cure. Using needle files and sandpaper I reformed the button .

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After banding the shank the stem / shank fit was off leaving a small gap between stem and shank. Using a small block of wood drilled to fit the tenon loosely , I lightly sanded the stem flat. I was able close the gap but not completely , the draw is air tight but if held up to the light you can still see a small gap.

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I now ran the stem thought the various grits of sandpaper and micro-mesh pads. Sanding the stem with 800, 1000 and 1500 grit sandpaper wet and micro-mesh 1500-3200 wet and 3600- 12000 dry.

Complete.

 

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I finished up on the wheel with white diamond , a few coats of carnauba and a micro-fiber hand buffing. Buffing the stem with blue compound and carnauba.

Thanks For Taking A Look.

Tim.